Today's computer-based digital audio workstation (DAW) software gives you more recording and music production power than a studio full of hardware from the pre-digital days. But despite all the functionality that such software provides, its sound depends heavily on a piece of external hardware called an audio interface.
Such devices offer the connectors you need to plug in microphones and instruments for recording as well as speakers and headphones for listening. They also typically provide metering and other important features. The more you understand about how interfaces work, and the kinds of features they offer, the better positioned you'll be to make an informed buying decision.
The Quantum 24-bit, 192 kHz audio interface is PreSonus®' fastest and best-sounding audio interface, taking advantage of the high-speed Thunderbolt™ bus and ADAT Optical I/O to deliver up to 26 inputs and 32 outputs, including 2 combo mic/instrument/line inputs and 6 mic/line inputs with recallable XMAX preamps, expandable up to 96x96, with extremely low latency and MIDI I/O.
Connecting with Your Computer
Click on the Audio/MIDI tab and choose the audio interface in the Audio Input pop-up menu (and in the audio Output pop-up menu as well if you want to monitor audio from the interface). What if I'm currently using an audio interface on macOS? Impacted users will experience inconsistent audio delivery on our desktop and browser applications. When using an audio interface, while your audio will be picked up and shared with other users, you may experience temporary choppiness or a cutting in-and-out of your audio input. Essentially yes, a sound card and an audio interface do the same basic job.To get sound in and out of your laptop, pc, mac, tablet so that you can process and edit it you need something that turns the sound into a digital signal and back again.
Modern audio interfaces connect to your desktop or laptop computer via a USB or Thunderbolt port (some older ones use different ports, such as PCI, PCIe or Ethernet). Most interfaces work with both Mac® and Windows systems; many are also compatible with Apple® iOS devices, although that usually requires an additional adapter.
Steinberg audio interfaces use the USB 2.0 connectivity format, which is supported by virtually all computers. Note that you can use a USB 2.0 interface on computers equipped with the newer USB 3.0 format because USB is backward compatible.
Connecting and Converting Audio
An audio interface acts as the front end of your computer recording system. For example, let's say you connect a microphone and record yourself singing. The mic converts the physical vibration of air into an equivalent (i.e., 'analog') electrical signal, which travels down the connecting cable into the interface's mic input. From there, it goes into the interface's built-in mic preamplifier, which boosts the low-level mic signal up to a hotter line level — something that's necessary for recording. (The quality of both the microphone and preamp have a significant impact on how good a recording sounds.)
Next, the signal gets sent to the interface's analog-to-digital ('A/D') converter, which changes it into equivalent digital audio data — a stream of ones and zeroes that travel through the USB or Thunderbolt cable into your computer. This data is then sent to your DAW or other recording software, where it gets recorded and/or processed with effects.
Almost simultaneously, the now-digitized audio that originated at your microphone — along with any other tracks you've already recorded for the song — get sent back from the computer to the audio interface over the USB cable, where it goes through an opposite quick change, carried out by a digital-to-analog ('D/A') converter, which turns it back to an equivalent analog electrical signal. That signal is now available at the interface's line outputs to feed your studio speakers, headphone output(s), or other line-level devices.
We're saying almost simultaneously because it actually takes a few milliseconds (thousandths of a second) for the audio to go through all these changes, from the time you start singing to the time you hear it back. That slight delay is called latency — something we'll look at more closely shortly.
MIDI Too
Most audio interfaces also offer MIDI (Musical Instrument Digital Interface) inputs and outputs, which allow you to connect a MIDI keyboard or other MIDI controller to your computer. The input(s) allow you to play software-based instruments ('virtual instruments') that open as plug-ins (software add-ons) inside your DAW or as standalone applications. An interface's MIDI output(s) makes it possible to connect an external MIDI sound source like a synthesizer or drum machine and have it 'played' by MIDI data that you recorded in your DAW.
Sampling Rate and Bit Depth
If you're shopping for an audio interface, you've probably come across the terms sampling rate and bit depth. Sampling rate refers to how often the A/D converter 'looks' at the audio when converting it into digital data, usually described in terms of kiloHertz (kHz for short), where one kHz equals a thousand samples per second. Bit depth describes how long the digital 'words' are that describe each of these samples. It may seem a little techie, but all you really need to know about these terms is this: The higher the number, the better the sound … but also the larger the file size.
Some interfaces support up to 24-bit 192 kHz audio, but that's overkill in many cases. The vast majority of people recording today use settings of 24-bit 96 kHz, which provides plenty of quality with reasonable file sizes. By comparison, the audio standard for a CD is a lot lower: 16-bit 44.1 kHz.
Ins and Outs
The number of inputs and outputs varies significantly between different audio interfaces. Steinberg interfaces, for example, run the gamut from the UR22C, which offers two inputs and two outputs (and is therefore referred to as a '2 x 2' interface) to the 28 x 24 AXR4, which has 12 analog inputs and 8 analog outputs, as well as an additional 16 digital inputs and outputs in the ADAT Optical format so that you can gang other ADAT-equipped interfaces or mic preamp units to record more channels simultaneously. When recording large ensembles or bands with drums, even eight inputs may not be enough. Always try to envision the maximum number of inputs you'll need for the recording you plan on doing. If you can, try to leave yourself a little room to grow, rather than just opting for the minimum sized unit that will work.
Most interfaces provide 'combo connectors' for their mic input channels. These accept either XLR mic cables or 1/4″ line and/or instrument inputs, giving you added flexibility.
Audio interfaces also usually provide something called phantom power for the microphone inputs. This is a 48V electrical signal that is required by condenser microphones — a type of mic that's very popular for recording. On some interfaces, phantom power can be turned on and off for individual channels, while on others it is switched for groups of channels at a time. (Click here to read our blog article explaining phantom power.)
In terms of outputs, almost all audio interfaces provide you with a stereo pair of 1/4″ line outputs, which can be used to feed your monitor speakers. Others give you additional analog outputs, which you can use for connecting to other hardware in more sophisticated setups.
There will also be at least one headphone port, which is typically 1/4″ stereo. Some interfaces, such as the Steinberg UR44C and AXR4, provide dual headphone outputs and allow you to send a separate mix to each. This is beneficial when recording multiple musicians because inevitably, the various players or singers will not all agree on the balance they want to hear in their headphones.
Latency
As discussed earlier, there's a slight delay called latency that occurs because it takes the audio a number of milliseconds to travel through the interface input, into the computer, back out of the computer and appear at the interface output. During recording, that can be distracting, because you'll hear your voice or your instrument coming back a little late, which can totally throw your timing off.
One way to deal with latency is to adjust the audio buffer (also known as 'buffer size') in your DAW to its lowest value. The buffer controls the amount of time the computer allows for processing and is measured in samples (64, 128, 256, etc.). The lower the buffer, the less latency. The tradeoff is that lower buffer settings put more strain on your computer, and that can result in clicks, pops and diminished audio quality.
A better way to circumvent latency — and without impacting computer performance — is called 'direct monitoring' (sometimes called 'zero-latency monitoring'), which is implemented on many audio interfaces, including all Steinberg models. It works like this: your interface sends a copy of your input signal (pre-computer) directly into the headphone output so that you can hear it in real time (with no latency) mixed with the tracks coming back from your computer.
Some basic interfaces provide this feature via a simple switch that allows you to choose between the direct signal and the output of your host application, but in more sophisticated interfaces, such as the Steinberg UR22C, direct monitoring is implemented with a mix control knob that lets you adjust the ratio of the direct sound to the sound returning from the computer. Advanced models like the Steinberg UR-RT series even have digital processing (DSP) built in; all Steinberg interfaces offering this feature come with an app called DSPMixFx for controlling monitoring and adding effects from your computer, iPhone® or iPad®.
Sound Quality
Remember, we're talking audio interface, so sound quality is key. That's why the most critical components in any interface are its converters and mic preamps. Steinberg interfaces all come equipped with top-of-range converters and Yamaha D-PRE mic preamps for consistently excellent sonics.
The Steinberg UR-RT2 and UR-RT4 interfaces take things up a notch thanks to the addition of Rupert Neve Designs transformers that can be switched into the signal path on every mic channel. A major designer of mixing consoles for more than half a century, Rupert Neve products are renowned throughout the recording industry. With these interfaces, you can add the legendary Neve sound to your home recordings.
An audio interface is more than just a necessary peripheral device. It's the heart of your studio. Whether you're buying your first one or replacing your current interface, be sure to do all the necessary research … and always get the best model your budget will allow.
Click here for more information about Steinberg audio interfaces.
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As we draw closer towards mid-year 2018, there seem to be more audio interfaces than ever in the market – which should you choose?
It shouldn't be tough to choose one, but some thoughts need to be placed when you're shopping for one, as it'll be your studio's centerpiece in your run of producing music. Think of buying an audio interface as an investment.
Some music producers prefer smaller interfaces as they plan to bring them around to make music. And some prefer interfaces with better DAC (Digital-to-analog) components – for the best sound possible.
Depending on what you do, whether producing film scores or electronic music, sometimes all you need is a single input interface.
But if you're recording bands every day, then you probably would need audio interfaces with more inputs.
A Quick Primer To Choosing An Audio Interface
An audio interface is simply a soundcard that allows you to record analog audio to your computer, turning it into digital audio and vice versa.
What do you really need it for? Mixing? Producing electronic music or film scoring? These are the questions you need to ask yourself before you set out to purchase an audio interface.
Need to learn more about audio interfaces? Read this post on what is an audio interface.
But just quickly, here are 3 things to consider, before hitting that buy button.
- The number of inputs & outputs you need – if you're planning to record with many microphones (like a band), you'd want to try to get as many inputs as possible. If you think you're going to need even more inputs in the future, get an audio interface with ADAT optical inputs.
- Type of connectivity – USB remains the most popular type of audio interface connection. But it's not the fastest. Thunderbolt offers faster and lower (zero-latency). Try to avoid getting interfaces with system-propriety connections. Remember audio interfaces with the 30-pin iPhone connections? Nope.
- Manufacturer Support – Because our audio interfaces are designed to work with computers, PC, and Mac, it is good practice to ensure the manufacturer you're buying from offers updated support for your interface. The last thing you want is an interface that does not work with your latest computer OS.
Top 10 Audio Interfaces To Consider In 2018
A disclaimer before we go to the top audio interfaces.
Truth to be told, there are no such things as the best audio interface. People love asking for the best stuff. But the answer is always the same, it depends. To choose one that works best for you, look into your priorities and point of view.
This list here is supposed to help you find the best highlights of each interface. Let's get started.
1. Arturia AudioFuse – $699.00
Arturia has been stepping up their game lately with the latest AudioFuse.
Best features of the Arturia AudioFuse is that it comes with a talkback microphone built-in. Perfect for studio owners with a two-room setting. There's also room for an upgrade as the Audiofuse comes with an ADAT connection, enabling you to extend its current 2 mic inputs to a 14-in /14-out setup. The AD/DA conversion goes up to 24-bit/192kHz as well.
Need more features? It has a built-in USB hub, 3 USB 2 ports to be exact – for all your connectivity needs and comes packed with 2 headphone jacks with also a 1/4″ and 1/8″ connection, so even if you forgot your headphone adapters, you could still use your 1/8″ headphone jack.
You'll find funny MIDI connectors as 1/8″ jacks that actually works as a breakout cable for all your MIDI connections. There are also 2 phono preamps that allow connections to turntables.
All these features packed in, and the Arturia AudioFuse can be bus-powered from a single USB cable. Interestingly, when bus-powered, the max output level will be limited to +18dB max and USB hub functionality will be disabled – to save your laptop, computer or phone's battery life. When you plug in the DC power adapter, the maximum output headroom will be extended to +24dB and USB hub will be enabled. The idea is to go bus-powered, when on the road and use the power supply for maximum performance.
The Arturia AudioFuse is a nice complete all-rounder audio interface that would suit many types of recording and producing styles. Any studio will find it irreplaceable.
Pros
- Has all the connections you'll need. There's even a grounding cable option!
- Built-in talkback microphone for studio recordings.
- Expandable via ADAT.
- Can run USB bus powered.
Cons
- Has slightly higher latency compared to most interface at its class, as it uses generic audio drivers.
- The highly packed Control Center software can be confusing.
2. Focusrite Scarlett Line-Up – From $125.99
Want value for money? You'll never go wrong with the Scarlett series from Focusrite.
At the prices they sell, you get great sounding award-winning pre-amps. Make sure to get the 2nd generation models, as they have been upgraded to record up to 24bit/192khz resolution.
The mic preamps on the Scarlett is something you'd love immediately- great sound and large headroom to take on different types of recording jobs. Focusrite has also fixed the issue when recording electric guitars, so, no more worrying about the gain being too low.
The whole line-up starts with the solo which has only one input, the 2i2 which is a 2-in/2-out, the 2i4, a 2-in/4- out, the 6i6 which has 6-in/6-out the 18i8 that has 18 ins and out and the 18i20 which has 18 ins and 20 outs. Depending on your requirements, I recommend you get the size that you truly need.
However, a good rule of thumb is to always get a minimum of 2ins and 2 outs. The Focusrite Solo with only 1 input, always felt like a painful limitation to me.
By the way, if you plan on connecting MIDI instruments, get the Scarlett 6i6. However, with the added connectivity, the 6i6 will require DC power to work.
Focusrite has also claimed to record super-low latencies on the Scarlett, as low as 2.74ms when working real-time with plug-ins without the need for a DSP. You also get nice input LEDs on the Scarlett, which color changes as you hit the headroom – useful for monitoring the levels when recording.
Pros
- Absolute value for money. Best buy for beginners.
- Great sounding pre-amps with plenty of headroom.
- Comes with plug-in bundles to get you started.
- Expandable via ADAT. (Bigger models)
Cons
- The bigger models are not bus-powered. Make sure you check before you buy!
- Avoid the Scarlett studio bundles when possible. They are easy for beginners, but the microphone & headphone aren't that great.
3. Focusrite Clarett Thunderbolt/USB Line-up – From $499.99
The Clarett series by Focusrite is the latest addition to Focusrite's line-up of interfaces. Initially released as a Thunderbolt only interface, the newer models are USB-powered.
What sets the Clarett apart from the Scarlett? The biggest benefit of the Clarett is that it possesses a new set of preamps with a feature called Air. It basically takes an analog model of Focusrite's transformer-based ISA mic pre. This adds that ‘shimmer' to your top end of our sound.
You'll also be pleased to find that the noise floor is also lower on the Clarett, as compared to the Scarlett series.
Generally, the converters in the Clarett are also more superior than the Scarlett. Do an A/B side test, and you'll hear the difference with a pair of experienced ears.
Choices wise, you're free to choose the interface size that you need, from the Clarett 2pre, 2pre USB, 4pre, 4pre USB, 8pre, 8pre USB and the 8preX (Thunderbolt connection). Generally, if you move around a lot, the 2pre would be great. If you're grounded in your studio and making most of your music there, I'd go for the 8pre, maximizing the number of available inputs/outputs.
Pros
- Low latency (Thunderbolt connection)
- Better sounding pre-amps compared to the Scarlett series.
- Controllable via iPad or iPhone etc…
- Expandable via ADAT.
Cons
- Thunderbolt version doesn't come with a Thunderbolt cable. As strange as it sounds. (Here's why)
4. Audient iD14/iD22/iD44 – From $299.00
Had enough of ‘budget' audio interfaces and ready to venture into world-class sound quality? If you think the Focusrite Scarlett sounds decent, wait till you listen to the Audient interfaces. The Audient line-up of interfaces features Audient's console microphone preamp and the JFET DI built in.
Vmware for mac os download. Why does Audient simply sound better? That's because the components used to build them are of superior quality. You get better sounding AD & DA converters and mic pre-amps.
Granted the price is higher than budget audio interfaces. In fact, the iD4 (entry-model) has only one 1-input. At the price you pay for the iD4, you could get many other audio interfaces with more ins and outs. But if sound quality is a bigger priority to you, choose the Audient.
The iD14 has 2-inputs and 2 outputs, which are expandable to 10-ins/14-outs via the optical input connector, supporting both ADAT or S/PDIF. You could record up to 10 inputs at a go with a mic pre-amplifier like the Audient ASP800.
Interestingly, the iD22 has the same number of ins/outs as the iD14, with the exception of the ability to integrate outboard gear through two insert jacks. With this, you can insert outboard effects while making use of the onboard converters. Lastly, there's the iD44 with 20ins/24outs for the serious music producer.
The iD4 is the only model that can be bus-powered via USB, while the rest needs to be connected to a DC power supply. All of them offers up to 96kHz resolution and 24-bit audio recording. Strange to find that even the high-end model isn't' made to record up to 192kHz – but again, who records at that resolution anyway?
You'll find two neat features on the Audient series. First, the ScrollControl which enables the volume wheel to also control your DAW & plugin parameters – useful for recording in automation lines. Secondly, the direct monitoring function with Monitor Mix is a neat feature that gives you near zero-latency monitoring.
Pros
- Superior sounding. A step up over the ‘budget' audio interface.
- Solid and problem-free.
Cons
- Hardly any. There are not many I/O connections (no MIDI, etc.) but it's solid for what it is.
5. Presonus Studio 192 Mobile – $599.95
You'll hardly go wrong with the Presonus Studio 192 Mobile – an audio interface that offers high-resolution audio recording, up to 24-bit and 192kHz. It built in with Burr-Brown converters, known to be high-quality AD/DA converters and XMAX microphone preamps that provide high headroom when recording.
The front panel is fitted with 2 combo jack that accepts XLR microphones or 1/4 jacks for line or instrument inputs. For the recording hungry, the interface is expandable up to 22-in/26-out via ADAT.
Something that might attract you to the Presonus Studio 192 Mobile is the fact that it has DSP processing. This means you can record & monitor with effect plugins at very low latencies – almost real-time. Though there's only one headphone jack onboard, so you'll need to find a headphone splitter or amplifier in order to output to more headphones simultaneously.
Studio 192 makes a nice audio interface for the bigger studio owner.If portability isn't a concern, you might want to consider the bigger brother, Studio 192 – a rackmount audio interface with increased ins & outs, connectivity options and an onboard talkback mic. Handy for doing audio recordings in a two-room setup.
Pros
- DSP processing to include effects in monitoring feed.
- Free plugin Suite.
- Free Studio One artist version. Enables you to upgrade to the full Studio One at 50% less.
Cons
- Presonus's support is a little questionable. Make sure you know what you're doing.
6. Universal Audio Apollo Twin MKII DUO – $879.00
The Apollo Twin MKII DUO is seen as an industry standard for desktop audio interfaces. And there's a good reason for it.
It comes built-in with superior converters, components, and pre-amps, with up to 24-bit/192kHz audio recording and playback. The Apollo Twin connects to your Mac or PC via Thunderbolt (yes cable is supplied), giving you extremely low latencies. The real-time UAD processing for tracking with effects are so well built that you can add multiple effects to your tracking feed and still get near-zero latency.
There are 2 high-quality microphone and line pre-amps, with 2 line outputs for your studio monitors. You can expand the number of inputs with the ADAT connection.
Besides being expensive, there is a steep learning curve to operate and record with the Apollo Twin. However, when the dust finally settles, you'll find that it's a highly configurable and powerful audio interface with loads of internal processing power under the hood.
On top of the refinements made in the 2nd generation of the Apollo Twin, there's now an additional feature such as the talkback and alt monitor switching, which you'll find handy for recording work and doing cross-referencing when mixing.
An amazing desktop portable audio interface if you have the budget for it.
Pros
- DSP processing feature is enough to convince you.
- UAD Plug-in bundle included.
- Expandable inputs via ADAT.
- Extremely low latency.
Cons
- Pricier option. Not beginner friendly.
7. RME Babyface Pro – $749.00
The fact that the RME BabyFace Pro is not exactly a new audio interface might demotivate you, but make no mistake in the quality of this audio interface.
The BabyFace Pro is a 24 channel, USB bus-powered audio interface that records up to 192 kHz resolution. On the board, you find 2 XLR inputs/outputs, another additional 2 line inputs, and 2 headphone outputs. To extend your inputs and outputs, you would have to make use of the ADAT port and for an extended MIDI I/O, use the supplied breakout cable connector.
It works well with USB 3 or USB 2 with no technical difference, allowing you to stay completely portable with enough power for phantom power.
TotalMix FX, the software that comes with it will look old-school in terms of design, compared to most modern interfaces these days. You'll find that TotalMix FX mimics a hardware mixer. However, that also means the routing possibilities are wide. You'll love its flexibility upon getting used to it.
Sound-wise, you'll get transparent-sounding preamps with large headroom, good for most recording jobs. It has been claimed many times that you don't even need another pre-amp to sound good with the BabyFace Pro. Just pair it up with a good microphone like the Neumann U47 and you'll instantly get world-class recordings.
On the front panel, the onboard meters clearly shows your input and output levels. You can also switch them to select In, Out or Mix. The Mix Mode conversely allows you to control input mixes independently to each output to control monitor feeds – handy for multiple recording & tracking setups.
The BabyFace Pro is not exactly a cheap audio interface but its one of the best portable top-end interface you can buy in terms of sound, component quality, routing possibilities, solidness, flexibility & portability.
It runs bus-powered on any computer, iPad or even as a standalone interface – making it really useful when thrown into any recording setup.
Pros
- World-class sounding with solid AD/DA converters.
- Solid sounding pre-amps.
- Proven solid drivers with low latency.
Cons
- Aging interface. Not for you, if you only go for the latest stuff.
8. Apogee Duet – $595.00
Apogee Duet used to be an interface that was made only for Mac. Sometimes through the years, they made a change an engineered it to work with Windows computers as well. In fact, you could also use it with iOS devices.
Duet became popular because of its pristine sounding AD/DA converters and build quality. Meant to be portable & easy to carry around, it is aimed towards the musician or producers who want the best sound quality. To connect microphones and line instruments, you would have to use its combo breakout cable, for 2 inputs, making use of its world-class microphone pre-amps. You get up to 4 analog outputs for speakers and outboard gears.
The LED meters are very responsive, accurate and helpful for recording and tracking – while keeping an eye to make sure the levels are where you want them to be.
It's not a budget option, but imagine having the best of Apogee technology, which are used in world-class studios – now built into a neat and portable audio interface that you can carry around.The Apogee Duet would make a good choice if you don't do heavy multitrack recordings but you want the best sound in your setup.
Pros
- Excellent world-class converters
- Clean gain and excellent sounding pre-amps.
- Now works with Mac, Windows & iOS devices.
Cons
- Limited amount of inputs & outputs. Not possible for surround mixing.
9. Steinberg UR824 – $999.99
The choice for studio owners who needs lots of quality inputs/outputs without breaking the bank. The Steinberg UR824 is not exactly a new interface, but I'd still recommend it as it makes a great centrepiece in most home or project studios.
Nikon d7000 driver for mac. Featuring Class-A D-PRE microphone preamps, made famous on Yamaha N12 mixers, they are known to be very quiet even at low or high gains.
One of the best features about the UR824 is its DSP – the MixFx software. This enables you to record and monitor with effects – from reverb, EQ, compression and more. This is exceptionally useful for some cases, for example, when you're recording a singer who needs to monitor their voices with some reverb.
The UR824 has 8 microphone inputs and outputs, which would fit most recording scenarios but you can expand it up to 24-inputs and 24 outputs with the ADAT optical connection. You could consider the smaller, entry models, however, you'll lose out on future-proofing – as the entry models do not have expansion options with ADAT.
Additionally, there are two headphone outputs which are useful when making music with other producers.
The downside to the Steinberg UR824 is that it's an aging model & it's hard to say when the driver support will be dropped. However, Steinberg has shown to be proactive in supporting users with drivers & fixes. A sound recorder for mac.
Pros
- Value for money and a good all-rounder.
- DSP processing for zero latency.
Apple Audio Interface
Cons
- Aging audio interface which could use an update.
10. Antelope Audio Zen Tour – $1,595.00
I've saved the best for the last. The Antelope Audio Zen Tour claims to be the king of portable audio interfaces. Best known for the good clocking system, high-quality AD/DA converters and onboard built-in DSP with effects like reverb, guitar amp simulations and more.
The interface has 4 physical inputs and 8 analog outputs which are expandable via ADAT to 16 inputs and outputs, for bigger recording scenarios. The built-in DSP chip means you'll get to have zero-latency recording with effects. Some of the onboard premium effects are modeled EQ's, compressors and even guitar amps that sound really good. The interface even has 2 Reamp outputs, especially for sending your prerecorded tracks into a guitar amp for recording again – perhaps something that would appeal to guitarists. There's also a talkback microphone for use in your studio.
What Is The Best Audio Interface For Mac
Something you don't find in other interfaces, the Audio Zen Tour, actually has two connection options – Thunderbolt & USB. This means you really don't have an issue with using the Audio Zen Tour with different computer systems that might have different connection ports.
In addition, you can control your input levels from your iPad, iPhone & even Android device. Handy for remote controlling when doing solo recordings.
It's not cheap and for most people who are just starting out, I would recommend against getting the Antelope Audio Zen Tour. Unless you want the best and most powerful audio interface in the portable category.
Recapping the features of Audio Zen Tour. High-quality preamps, solid clocking system & pristine AD/DA conversion up 24-bit/up to 192kHz and good-sounding modeled plugins. No portable audio interface has this many features packed into a small box. It is literally a studio packed in a small box ready for all your traveling needs.
Pros
You'll find funny MIDI connectors as 1/8″ jacks that actually works as a breakout cable for all your MIDI connections. There are also 2 phono preamps that allow connections to turntables.
All these features packed in, and the Arturia AudioFuse can be bus-powered from a single USB cable. Interestingly, when bus-powered, the max output level will be limited to +18dB max and USB hub functionality will be disabled – to save your laptop, computer or phone's battery life. When you plug in the DC power adapter, the maximum output headroom will be extended to +24dB and USB hub will be enabled. The idea is to go bus-powered, when on the road and use the power supply for maximum performance.
The Arturia AudioFuse is a nice complete all-rounder audio interface that would suit many types of recording and producing styles. Any studio will find it irreplaceable.
Pros
- Has all the connections you'll need. There's even a grounding cable option!
- Built-in talkback microphone for studio recordings.
- Expandable via ADAT.
- Can run USB bus powered.
Cons
- Has slightly higher latency compared to most interface at its class, as it uses generic audio drivers.
- The highly packed Control Center software can be confusing.
2. Focusrite Scarlett Line-Up – From $125.99
Want value for money? You'll never go wrong with the Scarlett series from Focusrite.
At the prices they sell, you get great sounding award-winning pre-amps. Make sure to get the 2nd generation models, as they have been upgraded to record up to 24bit/192khz resolution.
The mic preamps on the Scarlett is something you'd love immediately- great sound and large headroom to take on different types of recording jobs. Focusrite has also fixed the issue when recording electric guitars, so, no more worrying about the gain being too low.
The whole line-up starts with the solo which has only one input, the 2i2 which is a 2-in/2-out, the 2i4, a 2-in/4- out, the 6i6 which has 6-in/6-out the 18i8 that has 18 ins and out and the 18i20 which has 18 ins and 20 outs. Depending on your requirements, I recommend you get the size that you truly need.
However, a good rule of thumb is to always get a minimum of 2ins and 2 outs. The Focusrite Solo with only 1 input, always felt like a painful limitation to me.
By the way, if you plan on connecting MIDI instruments, get the Scarlett 6i6. However, with the added connectivity, the 6i6 will require DC power to work.
Focusrite has also claimed to record super-low latencies on the Scarlett, as low as 2.74ms when working real-time with plug-ins without the need for a DSP. You also get nice input LEDs on the Scarlett, which color changes as you hit the headroom – useful for monitoring the levels when recording.
Pros
- Absolute value for money. Best buy for beginners.
- Great sounding pre-amps with plenty of headroom.
- Comes with plug-in bundles to get you started.
- Expandable via ADAT. (Bigger models)
Cons
- The bigger models are not bus-powered. Make sure you check before you buy!
- Avoid the Scarlett studio bundles when possible. They are easy for beginners, but the microphone & headphone aren't that great.
3. Focusrite Clarett Thunderbolt/USB Line-up – From $499.99
The Clarett series by Focusrite is the latest addition to Focusrite's line-up of interfaces. Initially released as a Thunderbolt only interface, the newer models are USB-powered.
What sets the Clarett apart from the Scarlett? The biggest benefit of the Clarett is that it possesses a new set of preamps with a feature called Air. It basically takes an analog model of Focusrite's transformer-based ISA mic pre. This adds that ‘shimmer' to your top end of our sound.
You'll also be pleased to find that the noise floor is also lower on the Clarett, as compared to the Scarlett series.
Generally, the converters in the Clarett are also more superior than the Scarlett. Do an A/B side test, and you'll hear the difference with a pair of experienced ears.
Choices wise, you're free to choose the interface size that you need, from the Clarett 2pre, 2pre USB, 4pre, 4pre USB, 8pre, 8pre USB and the 8preX (Thunderbolt connection). Generally, if you move around a lot, the 2pre would be great. If you're grounded in your studio and making most of your music there, I'd go for the 8pre, maximizing the number of available inputs/outputs.
Pros
- Low latency (Thunderbolt connection)
- Better sounding pre-amps compared to the Scarlett series.
- Controllable via iPad or iPhone etc…
- Expandable via ADAT.
Cons
- Thunderbolt version doesn't come with a Thunderbolt cable. As strange as it sounds. (Here's why)
4. Audient iD14/iD22/iD44 – From $299.00
Had enough of ‘budget' audio interfaces and ready to venture into world-class sound quality? If you think the Focusrite Scarlett sounds decent, wait till you listen to the Audient interfaces. The Audient line-up of interfaces features Audient's console microphone preamp and the JFET DI built in.
Vmware for mac os download. Why does Audient simply sound better? That's because the components used to build them are of superior quality. You get better sounding AD & DA converters and mic pre-amps.
Granted the price is higher than budget audio interfaces. In fact, the iD4 (entry-model) has only one 1-input. At the price you pay for the iD4, you could get many other audio interfaces with more ins and outs. But if sound quality is a bigger priority to you, choose the Audient.
The iD14 has 2-inputs and 2 outputs, which are expandable to 10-ins/14-outs via the optical input connector, supporting both ADAT or S/PDIF. You could record up to 10 inputs at a go with a mic pre-amplifier like the Audient ASP800.
Interestingly, the iD22 has the same number of ins/outs as the iD14, with the exception of the ability to integrate outboard gear through two insert jacks. With this, you can insert outboard effects while making use of the onboard converters. Lastly, there's the iD44 with 20ins/24outs for the serious music producer.
The iD4 is the only model that can be bus-powered via USB, while the rest needs to be connected to a DC power supply. All of them offers up to 96kHz resolution and 24-bit audio recording. Strange to find that even the high-end model isn't' made to record up to 192kHz – but again, who records at that resolution anyway?
You'll find two neat features on the Audient series. First, the ScrollControl which enables the volume wheel to also control your DAW & plugin parameters – useful for recording in automation lines. Secondly, the direct monitoring function with Monitor Mix is a neat feature that gives you near zero-latency monitoring.
Pros
- Superior sounding. A step up over the ‘budget' audio interface.
- Solid and problem-free.
Cons
- Hardly any. There are not many I/O connections (no MIDI, etc.) but it's solid for what it is.
5. Presonus Studio 192 Mobile – $599.95
You'll hardly go wrong with the Presonus Studio 192 Mobile – an audio interface that offers high-resolution audio recording, up to 24-bit and 192kHz. It built in with Burr-Brown converters, known to be high-quality AD/DA converters and XMAX microphone preamps that provide high headroom when recording.
The front panel is fitted with 2 combo jack that accepts XLR microphones or 1/4 jacks for line or instrument inputs. For the recording hungry, the interface is expandable up to 22-in/26-out via ADAT.
Something that might attract you to the Presonus Studio 192 Mobile is the fact that it has DSP processing. This means you can record & monitor with effect plugins at very low latencies – almost real-time. Though there's only one headphone jack onboard, so you'll need to find a headphone splitter or amplifier in order to output to more headphones simultaneously.
Studio 192 makes a nice audio interface for the bigger studio owner.If portability isn't a concern, you might want to consider the bigger brother, Studio 192 – a rackmount audio interface with increased ins & outs, connectivity options and an onboard talkback mic. Handy for doing audio recordings in a two-room setup.
Pros
- DSP processing to include effects in monitoring feed.
- Free plugin Suite.
- Free Studio One artist version. Enables you to upgrade to the full Studio One at 50% less.
Cons
- Presonus's support is a little questionable. Make sure you know what you're doing.
6. Universal Audio Apollo Twin MKII DUO – $879.00
The Apollo Twin MKII DUO is seen as an industry standard for desktop audio interfaces. And there's a good reason for it.
It comes built-in with superior converters, components, and pre-amps, with up to 24-bit/192kHz audio recording and playback. The Apollo Twin connects to your Mac or PC via Thunderbolt (yes cable is supplied), giving you extremely low latencies. The real-time UAD processing for tracking with effects are so well built that you can add multiple effects to your tracking feed and still get near-zero latency.
There are 2 high-quality microphone and line pre-amps, with 2 line outputs for your studio monitors. You can expand the number of inputs with the ADAT connection.
Besides being expensive, there is a steep learning curve to operate and record with the Apollo Twin. However, when the dust finally settles, you'll find that it's a highly configurable and powerful audio interface with loads of internal processing power under the hood.
On top of the refinements made in the 2nd generation of the Apollo Twin, there's now an additional feature such as the talkback and alt monitor switching, which you'll find handy for recording work and doing cross-referencing when mixing.
An amazing desktop portable audio interface if you have the budget for it.
Pros
- DSP processing feature is enough to convince you.
- UAD Plug-in bundle included.
- Expandable inputs via ADAT.
- Extremely low latency.
Cons
- Pricier option. Not beginner friendly.
7. RME Babyface Pro – $749.00
The fact that the RME BabyFace Pro is not exactly a new audio interface might demotivate you, but make no mistake in the quality of this audio interface.
The BabyFace Pro is a 24 channel, USB bus-powered audio interface that records up to 192 kHz resolution. On the board, you find 2 XLR inputs/outputs, another additional 2 line inputs, and 2 headphone outputs. To extend your inputs and outputs, you would have to make use of the ADAT port and for an extended MIDI I/O, use the supplied breakout cable connector.
It works well with USB 3 or USB 2 with no technical difference, allowing you to stay completely portable with enough power for phantom power.
TotalMix FX, the software that comes with it will look old-school in terms of design, compared to most modern interfaces these days. You'll find that TotalMix FX mimics a hardware mixer. However, that also means the routing possibilities are wide. You'll love its flexibility upon getting used to it.
Sound-wise, you'll get transparent-sounding preamps with large headroom, good for most recording jobs. It has been claimed many times that you don't even need another pre-amp to sound good with the BabyFace Pro. Just pair it up with a good microphone like the Neumann U47 and you'll instantly get world-class recordings.
On the front panel, the onboard meters clearly shows your input and output levels. You can also switch them to select In, Out or Mix. The Mix Mode conversely allows you to control input mixes independently to each output to control monitor feeds – handy for multiple recording & tracking setups.
The BabyFace Pro is not exactly a cheap audio interface but its one of the best portable top-end interface you can buy in terms of sound, component quality, routing possibilities, solidness, flexibility & portability.
It runs bus-powered on any computer, iPad or even as a standalone interface – making it really useful when thrown into any recording setup.
Pros
- World-class sounding with solid AD/DA converters.
- Solid sounding pre-amps.
- Proven solid drivers with low latency.
Cons
- Aging interface. Not for you, if you only go for the latest stuff.
8. Apogee Duet – $595.00
Apogee Duet used to be an interface that was made only for Mac. Sometimes through the years, they made a change an engineered it to work with Windows computers as well. In fact, you could also use it with iOS devices.
Duet became popular because of its pristine sounding AD/DA converters and build quality. Meant to be portable & easy to carry around, it is aimed towards the musician or producers who want the best sound quality. To connect microphones and line instruments, you would have to use its combo breakout cable, for 2 inputs, making use of its world-class microphone pre-amps. You get up to 4 analog outputs for speakers and outboard gears.
The LED meters are very responsive, accurate and helpful for recording and tracking – while keeping an eye to make sure the levels are where you want them to be.
It's not a budget option, but imagine having the best of Apogee technology, which are used in world-class studios – now built into a neat and portable audio interface that you can carry around.The Apogee Duet would make a good choice if you don't do heavy multitrack recordings but you want the best sound in your setup.
Pros
- Excellent world-class converters
- Clean gain and excellent sounding pre-amps.
- Now works with Mac, Windows & iOS devices.
Cons
- Limited amount of inputs & outputs. Not possible for surround mixing.
9. Steinberg UR824 – $999.99
The choice for studio owners who needs lots of quality inputs/outputs without breaking the bank. The Steinberg UR824 is not exactly a new interface, but I'd still recommend it as it makes a great centrepiece in most home or project studios.
Nikon d7000 driver for mac. Featuring Class-A D-PRE microphone preamps, made famous on Yamaha N12 mixers, they are known to be very quiet even at low or high gains.
One of the best features about the UR824 is its DSP – the MixFx software. This enables you to record and monitor with effects – from reverb, EQ, compression and more. This is exceptionally useful for some cases, for example, when you're recording a singer who needs to monitor their voices with some reverb.
The UR824 has 8 microphone inputs and outputs, which would fit most recording scenarios but you can expand it up to 24-inputs and 24 outputs with the ADAT optical connection. You could consider the smaller, entry models, however, you'll lose out on future-proofing – as the entry models do not have expansion options with ADAT.
Additionally, there are two headphone outputs which are useful when making music with other producers.
The downside to the Steinberg UR824 is that it's an aging model & it's hard to say when the driver support will be dropped. However, Steinberg has shown to be proactive in supporting users with drivers & fixes. A sound recorder for mac.
Pros
- Value for money and a good all-rounder.
- DSP processing for zero latency.
Apple Audio Interface
Cons
- Aging audio interface which could use an update.
10. Antelope Audio Zen Tour – $1,595.00
I've saved the best for the last. The Antelope Audio Zen Tour claims to be the king of portable audio interfaces. Best known for the good clocking system, high-quality AD/DA converters and onboard built-in DSP with effects like reverb, guitar amp simulations and more.
The interface has 4 physical inputs and 8 analog outputs which are expandable via ADAT to 16 inputs and outputs, for bigger recording scenarios. The built-in DSP chip means you'll get to have zero-latency recording with effects. Some of the onboard premium effects are modeled EQ's, compressors and even guitar amps that sound really good. The interface even has 2 Reamp outputs, especially for sending your prerecorded tracks into a guitar amp for recording again – perhaps something that would appeal to guitarists. There's also a talkback microphone for use in your studio.
What Is The Best Audio Interface For Mac
Something you don't find in other interfaces, the Audio Zen Tour, actually has two connection options – Thunderbolt & USB. This means you really don't have an issue with using the Audio Zen Tour with different computer systems that might have different connection ports.
In addition, you can control your input levels from your iPad, iPhone & even Android device. Handy for remote controlling when doing solo recordings.
It's not cheap and for most people who are just starting out, I would recommend against getting the Antelope Audio Zen Tour. Unless you want the best and most powerful audio interface in the portable category.
Recapping the features of Audio Zen Tour. High-quality preamps, solid clocking system & pristine AD/DA conversion up 24-bit/up to 192kHz and good-sounding modeled plugins. No portable audio interface has this many features packed into a small box. It is literally a studio packed in a small box ready for all your traveling needs.
Pros
- World class conversion & clock system.
- Expandable inputs for bigger recording & tracking.
- Comes with world-class audio plugins.
- Two ports (USB/Thunderbolt). What would it not connect to?
Best Usb Audio Interface
Cons
- Expensive. Features might not be necessary to most.
- The steep learning curve to understand the onboard DSP processing & software.
Conclusion
At the end of the day, I'd advice you to get an audio interface and put more focus on your music.
Before buying an interface, think about how long it'll be able to serve your production needs. What you're looking for here is an interface that can serve your needs for at least a few years.
Which audio interface are you using now and why did you buy them? Share your experience below and another reader might just find it helpful.
